How to Cut Out Tricky Selections in Photoshop

December 07, 2017 in Adobe Photoshop

In this video, I’ll show you how to cut out or extract a difficult object using Adobe Photoshop CC. In this case it its an ornamental grass, but this technique can also be used on hair or similar objects.

Be sure to check out the rest of my YouTube channel! Please subscribe if you enjoy the videos and are learning something!

Thanks for watching!

YouTube Review of Sleeklens Presets & Brushes

March 09, 2017

Check out my review of the Sleeklens presets and brushes on my Youtube Channel! Thanks for watching!

Sleeklens Presets and Brushes Review

March 01, 2017 in Before/After Images, Lightroom

Recently I received an opportunity from Sleeklens to try out some of their presets and then provide my experience using them. I was happy to accept the opportunity!

Who is Sleeklens?

Sleeklens is a company that provides workflows for both Adobe Lightroom and Adobe Photoshop. Included in the Lightroom workflow are various presets and brushes. The Photoshop workflow provides various actions, overlays and textures. Sleeklens also provides various templates for photographers to use. For example, invites, albums, cards, etc.

On to the review!

On to the review! The workflow I received was called the ‘Through The Woods Workflow’. The presets arrived to my inbox by way of a .zip file. I extracted the files contained in the .zip to my desktop. Within the folder, there were several items. Included were PDF guides on how to install the brushes, the presets, terms of service, the brushes and presets themselves, and a recipe list with examples using the workflow.

Although I knew how and where to install the brushes and presets, I found the instructions easy to follow. Since I’m working on a MacBook Pro, I followed the Mac installation instructions. Installation of the files went smoothly with no problems. After installing the brushes and presets, I was excited to give them a try.

When I first started looking at the presets, I liked how they were set up. As you can see in the partial screenshot, the presets were clearly labeled in a logical order in which they could be applied. Similarly, the brushes were named in a manner that logically made sense as to what the brush does.

Now it was time to start looking at some images. First, I selected a few images to try the presets and brushes on. These are images that I had previously processed using Lightroom without any special presets or brushes. I simply processed them until I liked what I saw. I wanted to compare the original unedited image to my Lightroom edit, then compare both to my edit using the Sleeklens presets and brushes. For the Sleeklens edits, I tried to use only their presets and brushes.

Below are some comparisons of various images. I was impressed with how the Sleeklens presets and brushes worked. They made it very easy to have a good starting point on an image. I liked how some of the presets were ‘add ons’ to the previous presets you may have used. I found myself being drawn to the same several presets fairly often. I think that just speaks to the style that I like. However, each person would have their own preference as to what they like. I thought that each of the presets did a great job of providing the desired effect. Additional manual adjustments may still be necessary but, that is true of any preset. I don’t feel that presets are supposed to be a one click solution for developing an image.

As with any presets or plugins, etc. I think I would eventually settle on a few that I prefer. Then I would be able to quickly select my presets and move forward with more specific edits if the image needed it.

I really liked the brushes as well. I found myself not only using the brushes in the ‘brush’ panel, but I also used the brush presets in the radial and graduated filter panels. I think it is great that Lightroom allows you to use select your brush presets in multiple places and it comes in very handy.

Overall I found the Sleeklens presets/brushes intuitive, easy and fun to use. With a few clicks, it is easy to see an image come to life in the way you envisioned it. This is a great product that has the potential to help speed up your workflow. A big thank you to Sleeklens for reaching out to me and letting me try their product! If you are interested in any of the Sleeklens products, visit their website Sleeklens.com and see what they have to offer!

Sample Images

Image #1

Edit using Sleek Lens Presets and Brushes

Image #2

Image #3

Image #4

Image #5

Image #6

Image #7

Before/After using only Sleeklens 'Through the Woods' Presets and Brushes

To see more before/after photos using Sleeklens presets and brushes, jump over to their website Sleeklens.com! You can also find tutorials on how to use any of the Sleeklens products here: https://sleeklens.com/lightroom-tutorials/.

What Kind of External Storage Do You Use?

February 07, 2017 in General, Equipment

I’ve been using a 2nd Generation 4-bay Drobo for a number of years now and I’m looking to upgrade to a newer, faster and larger storage system. What do you use for external storage and do you like it?

I am leaning towards going with another Drobo since I’ve got all the hard drives already and I’ve never had a problem with my current Drobo. I’m currently using a mid 2015 Macbook Pro as my primary machine.

I'm intersted to hear some input from others. Thanks for taking the time to leave a comment below if you do!

How to bring an image from Lightroom to Photoshop and back to Lightroom

March 01, 2016 in Adobe Photoshop, Lightroom, Photography

There are times when Adobe Lightroom may not have the tools you need to retouch or process your image the way you would like to. Have you ever wanted to bring your image from Lightroom into Photoshop to make edits and then bring it back into Lightroom again? It is very easy to do just that and in this quick tutorial, I’ll show you how.

Be sure to check out the rest of my YouTube channel along with my website: http://www.jasonyadlovski.com

Please subscribe if you enjoy the videos and are learning something!

Thanks for watching!

Enlarging an Image to Print as a Poster

November 26, 2015 in Adobe Photoshop, Print

Over the last few months, I’ve had many people reaching out to me asking for help enlarging their images. I thought it might be helpful to create another video to show how I enlarged this particular image. Keep in mind that every image is different so this technique may not work for your image.

In this case I received a Photoshop PDF file that had all of the original layers in it. This made the process of enlarging it much easier. Since I had a smart object, I was able to scale the image and not loose quality from the original. After scaling the image to the size I needed, I exported it as a JPG. The JPG file was used for the print.

If you have any questions about enlarging your images, please leave a comment below.

Be sure to check out the rest of my YouTube channel along with my website: http://www.jasonyadlovski.com

How To Enlarge a Low Resolution Image for Print, Another Way!

May 18, 2015 in Adobe Photoshop, Photography, Print

Has there ever been a time when you had a low resolution image you want to print? Maybe it is a screenshot of something or an image where the quality just wasn't there? In this tutorial I'll show you one way you can modify an image and enlarge it to be printed as an 8x12. It only takes a few minutes and a couple of steps.

Video Summary

This particular image was at a resolution of 72 ppi and approximately 5.5" x 8.3". The goal was to modify this image so it could be printed as an 8x10. When preparing images for print, it’s important to keep in mind that your file resolution should be a minimum of 240 ppi to get a high quality print. In this case I wanted to use 300 ppi. I’ll show you how you can easily upscale an image using Photoshop.

Step 1

Open your image, then go to the ‘Image’ menu and select Image Size.

Step 2

In the ‘Width’ and ‘Height’ boxes, input the size you would like your image to be. In this case, I used 8” x 12”.

Step 3

Look at the resolution box next. It’s likely you will see something around 72 Pixels/Inch. Change that to be 300 Pixels/Inch.

Step 4

Next, make sure the box next to ‘Resample’ is checked. Select ‘Preserve Details (enlargement)’ from the pull down menu.

Step 5

Use the ‘Reduce Noise’ slider if you feel your image needs noise reduction.

Step 6

Click ‘OK’.

Your Finished! Print it out and see how it looks!

If you have any questions, please leave a comment below! Be sure to check out the rest of my YouTube Channel and website!

Thanks!

How To Add A Faded Effect To An Image

April 21, 2015 in Lightroom, Retouching, Photography

Have you ever wanted to apply a faded look to an image? It’s easier than you might think! In this quick tutorial, I’ll show you how to quickly and easily add a faded effect to your images in Adobe Lightroom.

If you have any questions, please leave a comment below! Be sure to check out the rest of my YouTube channel and subscribe if you enjoy the videos and are learning something!

Thanks for watching!

Create Your Own Lightbox - a DIY Guide

January 15, 2015 in General, Recent Projects, Photography

Hi there! Have you ever wanted your own small studio for product photography? Creating a DIY I lightbox is easy and will give you the soft light you are looking for photographing products or smaller items.

Recently a friend asked if I would photograph his watch collection. I thought it would be great to create my own lightbox and see what kind of images I could come up with. Above, You can see some of the results I was able to achieve.

In this tutorial, I'll show you how I created my own lightbox in less than an hour and how you can easily create one too. I will also share the images I was able to produce using this simple light box.

Here is an image of the original lightbox setup I used to photograph the Steinhart watch. I decided to create a new, larger box using the steps that follow below.

Step 1

Find a box! Think about what you will try to photograph inside your light box. Do you need a large box or a small box? The orginal box I used to photograph the watch measured 16" wide x 12" high x16" deep. That size worked out well for a watch, but it would have been better if I had a larger box. This time I decided to use a box that was 21" wide x 18" high x 24" deep. Think about what will fit your needs and find something that works. The box I used came from Amazon.

Step 2

Gather some tools and supplies. Here are the things I used, all of which I had laying around the house. You don't need the exact same items, just things that will allow you to accomplish the same tasks. If you are using sharp objects or tools like I did, make sure you use them properly and safely! Safety is most important!

Straight Edge (Level)
Tape (Packaging Tape)
Tape measure or ruler
Scissors, Exacto blade, Carpenters knife or something similar for cutting the box and paper
Pen or Pencil
Tracing Paper or something similar that will soften light - for example waxed paper, a thin fabric, etc.
Posterboard - white and black so that you have options. I like the posterboard that has a slight shine on one side.
Binder clips (not shown here, but you will see a photo of them later).

Step 3

Decide what orientation you would like the box to be - vertical or horizontal. If you have a square box, it doesn't matter. The actual bottom of the box will become the back wall of your lightbox. Write 'Top' and 'Side' on your box so you know how the box will sit when it is finished.

Label the top and sides of your light box.

If you are using the top flaps of the box, tape them together securly

Step 4

We are going to cut out the top and sides of the box so that we can create a 'window' into the lightbox. These windows will then be covered with a material to diffuse the light. I decided to keep the top flaps of the box, so I started by taping them together with packaging tape. You may need a few pieces of tape to ensure the box is sturdy.

Once you have the sides taped together, measure and mark the box so we know where to cut the box. The measurements may vary based on the size of your box. The larger your box, the larger your 'window frames' need to be. You want the box to be sturdy and not fold over or fall down after you're finished.

Measure 2" in along the opening of the box

Due to the size of my box, I decided to measure in 1 1/2" in on each side and 2" along the front opening of the box. I made the front opening frame a little thicker because I thought it might need some additional support. After marking the various dimensions, use a marker to create a square on each side of the box. This is the line you will cut along as shown in the images below. The middle will be removed and the 'frame' around the edge will remain.

The 'Frame' on each edge remains and the middle is removed.

Safety first!  Becareful when it's time to cut. — Safety first! Becareful when it's time to cut.

Step 5

Now we are getting somewhere! It's starting to take shape and look like a Lightbox. You should have the top and sides cut out and be left with 'windows' looking into your lightbox.

Step 6

The next thing that needs to be done is to cover the inside of the 'frames' with white. This can be accomplished in several different ways. The best way would be to paint your box white on the inside. Due to time and not having white paint laying around my house, I decided to use white poster board paper to cover the areas of the box that needed to be covered. The picture below shows where the box needs to be covered up.

Cover the inside of the 'frame' with white.  Paint it white if you have the paint laying around. — Cover the inside of the 'frame' with white. Paint it white if you have the paint laying around.

Notice the darker band across the face of the watch

You might be thinking - Why does the inside of the box need to be covered in white? When I made my first lightbox, I found that I could see reflections of the box frame on reflective objects I was photographing. This was because the box was not reflecting the light in the same way that the 'window' panels were. Therefore, it caused dark reflections. If you look on the face of the watch in the picture, you can see there is a darker band across the middle of it. This is actually the 'frame' of the lightbox. Since it didn't reflect as much light, it caused a darker spot in the reflection.

Step 7

After adding white paper or painting the inside of the lightbox, the next step is to add the diffusion material to cover the openings in the box. For this I used a 12" roll of white trace paper. You can find trace paper at any art supply store. I started by taping one side to the box and wrapping the trace paper around the box, adding tape at the corners of the box.

Step 8

Next we need to create a way to hold the seamless background in place. I used white and black poster board as my seamless background. To hold the poster board in place I used 2 small binder clips that you can pickup at an office supply store.

On the top of the box, you need to create a small opening for the binder clip to go into. Measure over a few inches from the edge of the box and make the hole. The exact location doesn't really matter, just remember you will have one clip on each side. The images below show the hole for the binder clip and how the clip should fit.

Create a small opening that the binder clip can fit into.

Clip should attach to back and inside of the box.

View of clips inside the light box.  The poster board will be clipped here. — View of clips inside the light box. The poster board will be clipped here.

Step 9

After the clips are installed, measure and cut the poster board to fit the inside with of the box. The length should be slightly more than the height plus the depth of the box. The poster board should attached to the box using the binder clips, then hang down and bend but not crease into laying flat along the bottom of the box. This will allow for the 'seamless' background look. The poster board I had was little short, so I needed to get a larger piece. You want it to be one piece so there are no seams that need to be removed in post production.

Step 9

The lightbox is complete! The next important thing is to determine how you want to light your box. There are lots of different options - off camera flashes, strobes, desktop lights, lamps, workshop lights, etc. I decided to use 3 desk lights and in each light I used a 19w, 5000K florescent lightbulb. You should put one light on each side and one above the box. This should give you nice, even, soft light to work with. You can always move the lights forward and back to help get the look you want.

Step 10

Take some pictures! The lightbox is complete, now you just need to find some items to photograph. I would also recommend using a tripod for your camera so you don't have to worry about shutter speeds. Use your lowest ISO setting and an aperture that works for the image you are trying to capture. It takes some practice, but this simple setup will help you capture some great images! Below are a few images I captured in the lightbox, just to try it out.

Matilda's Cafe - Canon 60D, EFS 10-22mm at 10mm, 1/400th sec at f/5.6, ISO 200 — Matilda's Cafe - Canon 60D, EFS 10-22mm at 10mm, 1/400th sec at f/5.6, ISO 200

Featured on JigsawExplorer.com!

December 31, 2014 in General, Photography

As a photographer, it feels great when your work is noticed or complemented. On December 30th 2014 the image above was featured on Jigsaw Explorer's website! It was an honor to have one of my images featured as a puzzle. If you like jigsaw puzzles head on over to Jigsaw Explorers website and check it out! Here is the link: https://www.jigsawexplorer.com/puzzles/matildas-cafe-jigsaw-puzzle/

The title of the image is Matilda's Cafe and it was taken at the Frelinghuysen Arboritum in Morristown, New Jersey. I would like to thank Bob Flora and JigsawExplorer.com for the opportunity to have one of my images featured as a puzzle on www.jigsawpuzzle.com!

How to Prepare a Scanned Image for Print

October 22, 2014 in Adobe Photoshop, Print, Photography

Have you ever scanned in an image you wanted to reproduce only to find that the scan does not look as good as you had hoped? In this tutorial I’ll show you the process I used to scan in an image that was in an old calendar, then retouch and repair the image before sending it off to be printed. One of the challenges with this image in particular was that after I scanned it in and brought it into Adobe Photoshop, I was able to see the small colored dots of ink that were used to print the image. I’ll show you how I was able to remove the ink dots using smart filters in Photoshop 2014. After adjusting the image in Photoshop, I will show you the final printed result.

If you have any questions, please leave a comment below! Be sure to check out the rest of my YouTube channel along with my website: http://www.jasonyadlovski.com

Please subscribe if you enjoy the videos and are learning something!

Thanks for watching!

pdn Photoplus Expo comes to NYC - Oct. 30 to Nov. 1, 2014

October 20, 2014 in General, Photography

The annual Photoplus International Conference and Expo is coming to the Jacob Javits Convention Center in New York City from October 29th to November 1st! If you are in the New York City area, I would recommend stopping by to check it out. Access to the Expo is free as long as you register before October 28, 2014. Here is a link to the Photoplus website:

pdn Photoplus International Conference + Expo

There are also a variety of other paid options where you can attend: seminars, classes, keynote presentations, networking events, etc. At the link below, you will find the various pricing options:

2014 Registration Pricing

I have been attending the expo for the past few years and have always really enjoyed it. It is a great place to see all kinds of new gear, software, products, etc. as well as talk with others who are in the industry. You can tryout equipment, listen to free talks on the expo floor, check out printers, paper types, lighting setups, bags, tripods, and much more. So if you are in the area while the expo is in NYC, stop by and check it out!

Lightroom Quick Tip - Adding Keywords

August 21, 2014 in Lightroom, Photography

Adding keywords to your photographs is easy and allows you to search for specific photographs within your Lightroom catalog. The more keywords you use that are specific to that image, the better the chance you have of finding that image in the future if you need it. Everyone has great images, but if you can’t find them, it doesn’t do you any good.

In this quick tutorial, I’ll show you how to add keywords to your images that are already in your Lightroom catalog.

If you have any questions, please leave a comment below! Be sure to check out the rest of my YouTube channel. If there is anything you would like to learn in a future tutorial, please leave it in a comment below.

Subscribe if you enjoy the videos and are learning something!

Thanks for watching!

Lightroom Quick Tip - Star Ratings & Pick Flags

August 07, 2014 in Lightroom, Photography

We all face the challenge of sorting through our images to find the keepers, the throwaways, and the best of the best. Personally I use both star ratings and ‘pick’ flags to sort my images. This tutorial is a quick tip on how to speed up your workflow when rating and picking images. You might only save a small amount of time for each image you review, but over several hundred or several thousand images, the time will add up.

Whenever possible, it helps to have Lightroom do the work for you. In this case, we will make Lightroom auto advance to the next image after we apply the star rating or flag the image as a pick. The first thing I do is to place all of my unrated images into one collection or folder. While in the Library module, I make the first image full screen within Lightroom (or complete full screen by pressing the ‘F’ key in Lightroom 5). This will allow you to see the image at a large size so you can make a good decision as to how you want to rate the image. Next, make sure the caps lock is turned on. By turning on the caps lock, Lightroom knows that it should automatically advance to the next image any time a rating is applied to the current image. Once caps lock is on, use the number keys 1 through 5 to rate the images or press ‘P’ to flag the image as a pick.

I rate all of my images with stars to help keep track of the quality of my images. There is no right or wrong way to do it here, you need to find out what works for you. Here is my rating system:

1 star = picture is no good, trash

2 stars = not usable other than for some kind of abstract background, image not in focus

3 stars = image in focus, but nothing special, more of a snapshot, sometimes deliverable depending on client and intent of photographs

4 stars = image in focus, good composition, interesting etc., deliverable image

5 stars = fantastic image, one of my favorites, deliverable image

I use a ‘Pick’ flag for all images that I want to deliver to a client, print, post on my website or blog, etc.

After you initially review your images and rate them, it’s a good idea to revisit the images after a few days to see if you have changed your mind on any of the ratings you choose. This can be a quick look through all of the images again. You may see the hidden potential in an image that you did not notice the first time you reviewed the image.

Turning on the caps lock allows Lightroom to auto advance to the next image which will save you time and energy when reviewing your photographs. By using a streamlined review process for your images, you will become more efficient in post processing as well as be able to spend more time working on the best images from your photoshoot.

If you have any questions, please leave a comment below! Be sure to check out the rest of my YouTube channel.

Please subscribe if you enjoy the videos and are learning something!

Thanks for watching!

How to Make a Bad Image Look Awesome

June 25, 2014 in Before/After Images, Lightroom, Photography, Retouching

How many times have you looked at an image you took and thought it was no good? By capturing your photos in RAW format, it is possible to recover your photo using Adobe Lightroom and turn it into something awesome.

At first glance, I figured this file was no good. I started playing with it just to see what I could get out of it. It’s not as hard as you might think to bring back images that appear to be no good. I think the results that came out of this photo are great.

Remember that your camera can’t always capture what you envision in your mind when you take the photograph. The post processing you can do to an image plays a big part in the creative process and helps your image to reach the potential you have pictured in your mind.

If you have any questions, please leave a comment below! Be sure to check out the rest of my YouTube channel.

Subscribe if you enjoy the videos and are learning something!

Thanks for watching!

Photoshop: How to use Layer Masks

June 12, 2014 in Adobe Photoshop, Photography, Landscape Architecture, Retouching

Confused about layer masks in Adobe Photoshop? When I first got started in Photoshop, I didn’t understand layer masks, how they worked, and how to use them. In this tutorial, I’ll explain what a layer mask is, what it does and how it works. With a little practice, you can become an expert in using layer masks.

If you have any questions, please leave a comment below! Be sure to check out the rest of my YouTube Channel and subscribe if you enjoy the videos and are learning something!

Thanks for watching!

Photoshop: How to Clean Up Selections

June 11, 2014 in Adobe Photoshop, Landscape Architecture, Retouching

In this tutorial, I’ll show you how to remove the white, black, or colored edge that may appear around elements that you extract from images. In this case, I’m using an ornamental grass that was extracted from an image. The grass has a dark edge around the cutout of the grass. Using this quick tip, it is easy to remove the dark edge. By removing the dark edge, the image of this grass will blend into your composite image much better.

If you have any questions, please leave a comment below. Be sure to check out my YouTube Channel and Blog for more tutorials!

How To Create Object Shadows in Photoshop

June 10, 2014 in Adobe Photoshop, Landscape Architecture

Creating shadows for objects in Adobe Photoshop is an easy technique that helps elements of a composite look more realistic and blend into your scene. In this tutorial, I’ll show you how to create a shadow for a tree, but you can use this technique for any object. The shadow will mimic the exact shape of the original object. Below is a text description of each step. Lets get started!

Step 1

Open the image you want to create a shadow for.

Step 2

Duplicate layer using the shortcut CMD + J

Step 3

Envoke the Transform tool using CMD +T

Step 4

Bend the object to the correct orientation for the shadow. Try to match the shadow direction of other elements in your composite. Use CMD + Click to select just one of the Transform handles to ‘bend’ the shadow around.

Step 5

Once the shadow is going the direction you want, press enter to accept the transformation. Next, select the layer by holding CMD while selecting the Layer Preview in the Layer stack. This will select all of the contents on that layer.

Step 6

Once the layer is selected, fill it with black using Shift + Delete. Then Deselect the layer using CMD + D.

Step 7

Make sure the shadow layer is behind the object layer. Change the layer blend mode to Multiply. Adjust opacity so it matches other shadows in your image. Rarely will shadows ever be 100% opacity.

Your shadow is now complete!

If this tutorial was helpful please take a look at my other tutorials on my blog HERE!

How to Blend Composite Images

June 09, 2014 in Landscape Architecture, Adobe Photoshop, Before/After Images

Here is a great tip that helps blend images together when making a composite. Many times when you are combining different images into one composite, it is obvious that the images were not originally together. There are many different techniques to help blend images together and this is just one of the final additions I like to make to composites.

If you enjoyed this video, please subscribe and check out the rest of my videos on YouTube HERE .

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